Melissa Dunphy

Commissioned by Resonance Ensemble, Katherine FitzGibbon, conductor.

Written for the women of Resonance Ensemble, LISTEN’s two movements set testimony by Anita Hill in 1991 and Christine Blasey Ford in 2018. The songs confront singers and listeners with these women’s challenging and powerful words, and raise the question of whether or not the Senate committees or indeed the world truly listened to them, while giving many observers whose hearts were broken by these hearings the opportunity for catharsis.

Resonance Ensemble has performed LISTEN several times since its premiere, and in 2023 released their debut full-length album featuring LISTEN as the title track. LISTEN is celebrated among works that were central in defining Resonance Ensemble’s mission to promote meaningful social change through music.

Read more about the development of this work on Resonance's "Commission Stories."

"Where Dunphy’s compositional voice sounds very alive and very modern is in how melody intertwines with rhythm to project meaning and create a sound world with real substance." [Oregon Artswatch]

I. 1991
Adapted from testimony by Anita F. Hill before the Senate Judiciary Committee, October 11, 1991

I thought he respected my work
[I thought] that he trusted my judgment…
He asked me to go out... with him.
What happened next,
and telling the world...
are the two most difficult experiences of my life.
I declined the invitation...
He pressed me...
His conversations were very vivid.
He spoke about
acts... he had seen in pornographic films…
women having sex with animals…
group sex…
rape scenes…
large penises…
large breasts…
his own sexual prowess…
I told him that I did not want to talk about this...
I would try to change the subject.
He began to show displeasure...
He commented on what I was wearing…
whether it made me more or less... attractive.
I felt I had a duty...
...When I was asked,
I had to tell the truth
I could not keep silent.


II. 2018
Adapted from testimony by Christine Blasey Ford before the Senate Judiciary Committee, September 26, 2018

Indelible in the hippocampus is the laughter,
the uproarious laughter between the two,
and their having fun at my expense...

They were laughing with each other...

I was... underneath one of them while the two laughed —
two friends having a really good time with one another.

I am a fiercely independent person
and I am no one's pawn...
My responsibility is to tell the truth.

Performances

• 14 Oct, 2023 - 15 Oct, 2023: Resonance Ensemble at Lincoln Hall at Portland University, Portland, OR
• 01 Oct, 2022 - 02 Oct, 2022: Resonance Ensemble at Alberta House, Portland, OR
• 24 Sep, 2022: Sharmila G. Lash & Friends at Piedmont Piano Company, Oakland, CA
• 31 May, 2020: Musica Vocale at Sacred Heart – Guadalupe Catholic Church, Kansas City, MO
• 28 Mar, 2020: Women of the Choral Arts Chorus and the Choral Arts Chamber Singers at Live! at 10th & G, Washington, DC
• 28 Mar, 2020: Women of the Choral Arts Chorus and the Choral Arts Chamber Singers at Live! at 10th & G, Washington, DC
• 22 Sep, 2019: Sharmila G. Lash & Friends at Piedmont Piano Company, Oakland, CA
• 04 Aug, 2019: Fourth Wave at Central St. Matthew UCC, New Orleans, LA
• 18 May, 2019: Resonance Ensemble at Cerimon House, Portland, OR
• 03 Feb, 2019: Resonance Ensemble at Cerimon House, Portland, OR